As both a high school teacher and an activist, I am preoccupied by the world we are leaving to the next generation. And as a long-time Toronto resident, I also just love seeing my city get destroyed in fiction, which is far more cathartic than watching it get bungled up in real life. I am drawn to the type of story that exposes the wounds that run deep in our political, economic, and social structures. The best dystopian fiction shines a mirror on our history and our present, and brings the experiences of marginalized voices—for whom the apocalypse is not merely theoretical—to a broader audience.
Hopkinson’s stunning debut plunges the reader into a wildly inventive future Toronto. She seamlessly weaves together the politics of race, class, and gender, inflected with the rich culture and history of the Caribbean diaspora.
Despite the grim post-apocalyptic setting, the characters are part of a community, surviving through solidarity and mutual aid. There are no easy answers or neat resolutions to be found here—the fraught, tenuous connections between families and lovers are messy and grounded.
Sadly, many of the elements of this 1998 novel have proven prophetic, and this book is still a clarion call 25 years later.
The rich and the privileged have fled the city, barricaded it behind roadblocks, and left it to crumble. The inner city has had to rediscover old ways -- farming, barter, herb lore. But now the monied need a harvest of bodies, and so they prey upon the helpless of the streets. With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends.
As Rebecca Roanhorse put it, Indigenous people on Turtle Island have already survived an apocalypse.
So it’s not surprising that my favourite apocalypse novel centres around a remote Anishinaabe community struggling to survive after a distant and never-fully explained calamity. It’s a prescient story, especially in light of real-life catastrophe that arrived only two years after its publication.
Much apocalyptic and post-apocalyptic fiction focuses on gritty bands of survivors, but Rice provides a scenario that is much more in keeping with how communities actually act during disasters, contrasting the acts of care and mutual aid with the haunting slow decay of the world and the threat posed by violent outsiders.
It’s a multilayered, stunningly crafted realist take on how to keep surviving after the world ends.
Winner of the 2019 OLA Forest of Reading Evergreen Award
Shortlisted for the 2019 John W. Campbell Memorial Award
Shortlisted for the 2019/20 First Nation Communities READ Indigenous Literature Award
2020 Burlington Library Selection; 2020 Hamilton Reads One Book One Community Selection; 2020 Region of Waterloo One Book One Community Selection; 2019 Ontario Library Association Ontario Together We Read Program Selection; 2019 Women’s National Book Association’s Great Group Reads; 2019 Amnesty International Book Club Pick
January 2020 Reddit r/bookclub pick of the month
“This slow-burning thriller is also a powerful story of survival…
Everyone likes to see their own city get trashed in apocalyptic fiction, right?
The terrifying Georgia Flu that decimates civilization in Station Eleven first appears in Toronto, where I live, and St. John Mandel’s descriptions of real-life places crumbling is intense and visceral. But beyond the horror, this is a tale about art as a force for survival, rebuilding, and the rekindling of hope.
The beautiful prose and inventive use of structure elevate this tale of a wandering theatre troupe to literary heights.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
Marrow Thieves is a YA novel set in a dystopian future where most people have lost the ability to dream. Only Indigenous people can still do so, and are hunted for their bone marrow that can temporarily cure the condition.
While fast-paced and accessible to young people, this is a complex, provocative story, addressing themes of genocide, colonialism, residential schools, and climate catastrophe that many Canadians would prefer to ignore.
Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden-but what they don't know is that one of them holds the secret to defeating the marrow thieves.
Another Toronto post-apocalyptic novel (sorry, but we are the centre of the universe, after all).
Hernandez’ dystopia is also caused by climate catastrophe, ushering in a fascist dictatorship that imprisons BIPOC, disabled, and queer people in labour camps. This relentless story exposes the lie of Canadian politeness and civility, the fraught politics of allyship, and the complicity and banality of evil required to maintain authoritarian structures.
It’s a grim read and often its reach exceeds its grasp, but woven through it is queer joy and resilience and I admire that it doesn’t pull its punches.
The author of the acclaimed novel Scarborough weaves an unforgettable and timely dystopian tale about a near-future, where a queer Black performer and his allies join forces to rise up when an oppressive regime gathers those deemed "Other" into concentration camps.
Set in a terrifyingly familiar near-future, with massive floods leading to rampant homelessness and devastation, a government-sanctioned regime called The Boots seizes on the opportunity to round up communities of color, the disabled, and the LGBTQ+ into labour camps.
In the shadows, a new hero emerges. After he loses his livelihood as a drag queen and the love of…
In the wake of a worsening climate crisis, magic runs rampant, and demons roam across the Canadian prairies. A long-dead god stirs in the Pacific Ocean, while the wilderness is choked by invasive, screaming grass.
The Cascade has shattered political stability, leaving a scandal-plagued government clinging to power in Ottawa. As catastrophe looms ahead, a precognitive rainman, Ian Mallory, stands between run-of-the-mill corruption and a nightmarish, dystopian future. It is up to a diverse and unlikely band of activists, scientists, journalists, and one underpaid, emoji-spell-wielding intern to save their beleaguered country from its own worst impulses.
I have been writing for many years, and my main preference is political thrillers with criminal overtones. I first became interested in politics when I worked at several political conferences in the 60’s and 70’s. I have been involved in several criminal cases, including my own, and within my family, I have a nephew in the police force. For many years I have had the opportunity to mix with the upper tiers of society as well as the criminal classes and this has given me great insight into creating my characters and plots.
Pete West, a political columnist, travels to Prague to find a missing diplomat, later found murdered. He attempts to discover more about a cryptic note received from the diplomat and is immediately entangled in the secret Bilderberg Club’s strategy to form a world federation.
Pete meets a Czechian agent who wants asylum. She has a murdered EU Commissioner’s diary containing clues to the civil unrest planned by the club, encrypted in algebraic chess notations. West seeks answers and links up with retired MI6 officer Tosh. While escaping would-be captors, they decode enough chess moves to reveal the anarchy of the…
Pete West, a political columnist, travels to Prague to find a missing diplomat, later found murdered. He attempts to discover more about a cryptic note received from the diplomat and is immediately entangled in the secret Bilderberg Club’s strategy to form a world federation.
Pete meets a Czechian agent who wants asylum. She has a murdered EU Commissioner’s diary containing clues to the civil unrest planned by the club, encrypted in algebraic chess notations. West seeks answers and links up with retired MI6 officer Tosh. While escaping would-be captors, they decode enough chess moves to reveal the anarchy of the…
